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SONY SpectraLayers Pro 3 (Download)
$ 79.2
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Description
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SONY SpectraLayers Pro 3 (Download).
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In SpectraLayers Pro 3, you can work with the individual sounds in an audio file just as if they were objects in a photograph. Make detailed repairs with precise tools. Move sounds around, reduce noise and clutter, increase clarity, or get totally creative and transform a sound picture into something new and different. The spectral editing experience is, literally, sound as vision. Transcend the waveform display and refine your vision with SpectraLayers Pro 3.
Sony SpectraLayers Pro 3 Frequency Editing Software Features:
Powerful frequency-based spectral audio-editing tool for Mac and Windows PCs
An ideal solution for audio restoration, forensics, mixing, mastering, and sound design
Isolate, process, and mix frequency-specific layers of audio in a spectral environment
Intuitive user interface and frequency selection tools make operation simple
Rotatable 3D Displace view gives you a detailed and dimensional approach to editing
Powerful noise-reduction tools let you remove hum and noise with surgical precision
Automated round-trip integration with Sound Forge Pro streamlines advanced editing
Supports up to 24-bit/192kHz resolution and up to 8-channels of surround audio
Features
Layers Panel
The redesigned Layers Panel in SpectraLayers Pro 3 reflects the extent to which this application has been upgraded to provide significantly improved editing and workflow options. While the revised Selection Tools bring a new level of control to the editing process, the Layers Panel improves on keeping things organized, visible, and relevant.
New Waveform Display
The new Waveform Display shows selections, color-coded project layer content, relative amplitudes, and more.
Overview Bar
The Overview Bar provides graphic, color-coded information about selection range, layer program length and location, layer phase status, mute state, and marker/region positions.
Displacement pad
Go multidimensional instantly with the Displacement Pad, a joystick control for changing the 3D view that features continuous access for a super-smooth 3D workflow.
Noise reduction process
SpectraLayers Pro invites you to open an audio file, extract the elements you need, and leave the rest behind — it's a new way of thinking about noise reduction! In addition, noiseprint-based noise reduction using artistic noiseprint — a fresh new twist — is also available.
Retouch Tools
The Amplify, Clone, and Erase tools in SpectraLayers Pro 3 can be used to edit audio on any layer at any time. Access these options at any stage in the editing process to assist with critical repair and restore operations, creative sound design work, and fun experimentation. Tool behaviors can be modified in useful and interesting ways — use the controls located right above the spectral display to design your own brush tips.
Interoperability with Sound Forge Pro
Transfer audio data between SpectraLayers Pro 3 and Sound Forge Pro and experience the flexibility of working freely across the world’s premiere waveform and spectral editing applications. Open a large file in Sound Forge Pro and transfer selections of any size to SpectraLayers Pro 3 for fast, precise editing. Then bring the result back to the source file in Sound Forge Pro — automatically and with sample-accurate precision. Send multiple files from Sound Forge Pro to SpectraLayers Pro 3 for deep layering, remixing, and sound design work, and then return your finished products back to Sound Forge Pro for further editing and finalization.
Pass markers and metadata freely between SpectraLayers Pro 3 and Sound Forge Pro. Place and edit markers in SpectraLayers Pro 3 and switch them on and off as needed to operate on a clear spectral graph. SpectraLayers Pro 3 automatically merges markers from incoming files to help keep your screen uncluttered.
Spectral Casting / Spectral Molding
Spectral Casting / Spectral Molding is a revolutionary, SpectraLayers Pro 3 exclusive feature. Now you can use the frequency spectrum of one layer as a mold or cast for carving an impression of its frequency signature directly into the spectrum of a second layer. The creative possibilities are limitless. Spectral Casting / Spectral Molding can be a far more elegant approach than simple ducking, and the enormous sound design capabilities of this feature are poised to take creative music and sound design to an unprecedented new level.
A must-have app for forensics and audio restoration
From basic noise reduction to extreme sonic isolation, Sony SpectraLayers Pro 3 lets you perform sound-editing miracles with astonishing efficiency. Using SpectraLayers Pro 3's intuitive selection tools, you can easily select a specific frequency range, mark the pattern as noise, and remove or reduce those sounds from the mix. Likewise, SpectraLayers Pro 3's harmonic selection tool lets you smoothly isolate hum and other static noises, as well as their overtones, and phase cancel them.
Mastering tools let you fix problems after the mix
Virtually every engineer here at Sweetwater has had the eye-rolling experience of being told to "fix it in the mix." But what about when the mix is done? In the past, your options would have been pretty limited, but with Sony SpectraLayers Pro 3, the rules have change. That's because SpectraLayers Pro 3 lets you unmix your audio by selectively isolating frequencies, splitting them off to new layers, and even sending them out to other applications for further processing. And if you use Sony SoundForge Pro, then round-trip editing is virtually automatic.
Spectral casting and molding let you create tighter mixes
Lets take a moment to look at one of the most recent powerful additions to SpectraLayers Pro 3: spectral casting and molding. When it comes to mixing, this virtually automatic process is invaluable, because it lets you use one layer to carve a sonic hole in another layer, giving two conflicting tracks enough room to breathe. A textbook application for this is to import your mix minus vocals on one layer and to use your vocal stem on another layer to cast an impression on the rest of the mix. Another great use for this function is to resolve the sonic space between your bass and kick drum with far better results than traditional ducking.